Raghav Raj’s Top 20 Albums of 2019
Well, 21 albums really…
Well, 21 albums really…
Emo, indie and post-punk all had a big year.
If you don’t know many of these, you’re probably over the age of 25.
A tribute to MMC’s many contributors.
MMC’s Editor-in-Chief reflects on his year in listening and learning.
Australia killed it this year.
Featuring a healthy dosage of dancehall.
Including one new all-time favorite!
Let the debate begin!
MMC’s Editor-in-Chief lists his favorite records of the past six months.
MMC writers look back at the last 6 months of music
MMC Writers look back at the last six months in music.
MMC Writers look back at the last six months in music.
MMC Writers look back at the last six months in music.
MMC Writers look back at the last six months in music
MMC Writers look back at the last six months in music
MMC Writers look back at the last six months in music
MMC Writers look back at the last six months in music
MMC Writers look back at the last six months in music
MMC Writers look back at the last six months in music
MMC Writers look back at the last six months in music
MMC Writers look back at the last six months in music
The first album from the Norwegian bad boys kicks some serious ass.
With delicacy, power, style and grit, Jade Bird delivers a master’s thesis of modern pop Americana.
‘HOMECOMING’ further cements Beyoncé as one of the greatest musical icons of our time
On their third LP, the Canadian punks take on morbid topics with humor and catchy choruses.
To call Illinois emo outfit American Football influential would be a gross understatement. Twenty years
‘When We All Fall Asleep, Where Do We Go’ is the most authentic pop album since Lorde’s ‘Melodrama’.
Like the bastard child of Patsy Cline and Ian Curtis.
The Australian singer-songwriter is not to fucked with.
The artist formerly known as Tity Boi paints his masterpiece.
A cathartic breakup record for nihilists.
Too early to claim Indie Album of the Year?
A match made in surrealistic hip-hop heaven.
The indie heartbreaker is no less powerful with a new sonic palette.
Apparently even the sulkiest of souls can find happiness and contentment.
Their most accessible – and disillusioned – album to date.