ALBUM REVIEW: The Weather Station’s ‘Ignorance’ Is A Beautiful Whirlwind
The fifth record from the Tamara Lindeman-fronted outfit is utterly sublime, a new direction that the band hasn’t gone before.
The fifth record from the Tamara Lindeman-fronted outfit is utterly sublime, a new direction that the band hasn’t gone before.
A gentle warmth enlivens the singer-songwriter’s follow-up to 2019’s ‘Shepherd in a Sheepskin Vest’.
In contemplating the Bard’s remarkable new album, Rob Nicklin obsessively revisits his mammoth 60-year career, before bringing it all back home. (Long read ahead).
The Haim sisters’ third outing is a masterpiece of sunny California rock.
The life and death of an album that defined and abruptly ended an era.
This might just be the best punk album of 2020.
Loud, brash and in your face, Sailor Poon may as well be the face of the modern riot grrrl movement.
The L.A. punks reunite with their original lineup for the first time in 35 years.
Like being licked in the ear by a psychedelic mushroom.
Drop the needle and right away you’re needing to give your inner eye a quick squeegee.
The Fort Worth psych rockers drop one helluva debut.
The songwriter laureate’s fifth record is a stewing masterpiece, brewed of raw honesty and imperfection.
On their Sub Pop debut, the Dutch trio finds their magic formula.
A column about underrated albums that didn’t get their due.
Good stuff can come out of bad times.
A stripped-down vision of post-punk that’s no less thrilling.
Dan Bejar’s new record just might be his best since ‘Kaputt.’
Like hearing from an old friend.
While no one really needs a new Green Day album, the aging punks’ latest effort doesn’t overstay its welcome.
With an actual Replacement joining them in the studio, the Philly outfit doubles down on their hard rock influences.
Emo, indie and post-punk all had a big year.
The Boston emo outfit dropped one of 2019’s most underrated LP.
If you don’t know many of these, you’re probably over the age of 25.
A tribute to MMC’s many contributors.
Australia killed it this year.
Including one new all-time favorite!
Let the debate begin!
MMC Writers reflect on their favorite records of the 2010s
The Godfather of Gloom had one more timeless tome up his sleeve.
MMC Writers reflect on their favorite records of the 2010s.
MMC Writers reflect on their favorite records of the 2010s.
Pete Townshend and Roger Daltrey finally figured out how to forge on.
The British singer-songwriter quietly drops his biggest statement yet.
MMC Writers reflect on their favorite records of the 2010s.
Give it a chance, and she’ll blow you away again.
MMC Writers reflect on their favorite records of the 2010s.
MMC Writers reflect on their favorite records of the 2010s.
The Finnish artist gets funky on new mini-album.
MMC Writers reflect on their favorite records of the 2010s.
MMC Writers reflect on their favorite records of the 2010s.
The Austin “pillowcore” duo’s third LP fits just like your favorite sweater.
The indie alchemists fail to make magic on their collaborative EP.
MMC Writers reflect on their favorite records of the 2010s.
Our writer is not a fan of the latest post-Oasis solo album.
Gene Clark’s 1974 album, No Other, is one of those records that didn’t belong in
MMC Writers reflect on their favorite records of the 2010s.
The indie monolith’s 11th LP is a restrained but relentless symphony.
If fans were hoping for a more direct follow-up to 2017’s ‘Capacity’ in ‘U.F.O.F.’, they finally got it here.
The Brooklyn shoegazers confront addiction and their influences on powerful third album.
Sufjan cut no corners on the first (and second to last) installment of his 50 States Project.