ALBUM REVIEW: Bill Callahan Settles in on ‘Gold Record’
A gentle warmth enlivens the singer-songwriter’s follow-up to 2019’s ‘Shepherd in a Sheepskin Vest’.
A gentle warmth enlivens the singer-songwriter’s follow-up to 2019’s ‘Shepherd in a Sheepskin Vest’.
Like being licked in the ear by a psychedelic mushroom.
The Fort Worth psych rockers drop one helluva debut.
The songwriter laureate’s fifth record is a stewing masterpiece, brewed of raw honesty and imperfection.
On their Sub Pop debut, the Dutch trio finds their magic formula.
Dan Bejar’s new record just might be his best since ‘Kaputt.’
Like hearing from an old friend.
Let the debate begin!
MMC Writers reflect on their favorite records of the 2010s
MMC Writers reflect on their favorite records of the 2010s.
MMC Writers reflect on their favorite records of the 2010s.
Give it a chance, and she’ll blow you away again.
MMC Writers reflect on their favorite records of the 2010s.
The Finnish artist gets funky on new mini-album.
MMC Writers reflect on their favorite records of the 2010s.
The Austin “pillowcore” duo’s third LP fits just like your favorite sweater.
MMC Writers reflect on their favorite records of the 2010s.
The indie alchemists fail to make magic on their collaborative EP.
MMC Writers reflect on their favorite records of the 2010s.
MMC Writers reflect on their favorite records of the 2010s.
The indie monolith’s 11th LP is a restrained but relentless symphony.
If fans were hoping for a more direct follow-up to 2017’s ‘Capacity’ in ‘U.F.O.F.’, they finally got it here.
The Brooklyn shoegazers confront addiction and their influences on powerful third album.
Sufjan cut no corners on the first (and second to last) installment of his 50 States Project.
The album that broke indie-folk into the mainstream is a heck of a lot deeper than banjos and catchy choruses.
MGMT’s classic 2008 debut is an album unlike anything found in the furthest reaches of space.
A column about underrated albums that didn’t get their due.
If the visionary London-based multi-instrumentalist isn’t on your radar yet, he should be.
MMC Writers reflect on their favorite records of the 2010s.
The Norwegian avant-pop vanguard’s new record is her best yet.
Music this profound often comes from a dark place.
MMC Writers reflect on their favorite records of the 2010s.
The Philly indie experimentalist explores temptation and unluckiness in the everyday.
MMC Writers reflect on their favorite records of the 2010s.
On LP7, Craig Finn and Co. settle in for the long haul.
Ten years since their final album, Sunset Rubdown’s discography is a welcome reprieve from the modern world.
James Mercer is so meta he named his second band after his first band.
Some albums are forever linked to a specific place and time.
The generation-defining soundtrack turns 15 years old this week.
The mysterious Swedish artist may have made the next ‘Twin Fantasy’.
Emily Sprague explores the warmth of emptiness.
The poet, writer and indie rock narrator was the force behind Silver Jews and Purple Mountains.
The Australian singer-songwriter exceeds expectations on her fantastic debut.
The Aussie dream-pop singer’s ’90s-soaked debut is too much pop and not enough dream.
His first record since dissolving Silver Jews in 2009 is easily one of his finest.
Their first record in 11 years is bogged down by the same old mistakes.
The indie-folk bard cooly dances with death and family life on his loosest record in memory.
Even without the premise, this album will make your day brighter
When avant garde meets pop accessibility, magical things can happen.
Good luck staying awake.